Contemporary Qur’anic Lithography in Indonesia: Aesthetic of Reception of the Marble Al-Qur’an Manuscript

This study discusses the marble manuscripts of Al-Qur’an and meaning its aesthetic reception manuscripts. The type research is field with locus at Masjid Al-Muhtaram, Kajen, Pekalongan Regency as a place to store stone used Wolfgang Iser’s theory. Therefore, results this are (1) Manuscript Qur’an made by Nur Hidayat Siba that started in 2011 until 2021. It has reached 13 juz derived from measuring 60 x 90 cm thickness 2 cm. also written beautiful khat gold colour wrapping on every khat. (2) Those manuscript provides three meanings reception. First, objective holy book must be preserved through media form appreciation for greatness Qur’an. Second, expressive medium Islamic da’wah, spirituality increases faith religious aspects those who see read it. Third, documentary habitus always interact everyday life.